MUSIC IN MOTION

The Automated Transcription for Indian Music (AUTRIM) Project by NCPA and UvA

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135 Responses to “Comments”

  1. Rush said

    I notice there isn’t a page dedicated to raga Desh even though it is one of the most well known ragas. Is it possible more ragas will be covered in the future?

    • Wim van der Meer said

      You’re right. How odd that we missed that one. I will see with my colleague Dr. Rao what we can do. Thanks for your suggestion.

  2. Can I share this blog’s link on my fb page “DrKashyap’s Sarangi, Dilruba & Vocal lessons online” ?

  3. Excellent work! How do we go about doing this for Carnatic ragas? The Raga Surabhi team (http://www.ragasurabhi.com/) has recordings of most ragas.

    • Wim van der Meer said

      Well nothing in the process is secret, but it does involve starting up a project, training someone to work with the software, and engaging someone to put it all together. We were fortunate to have a grant from the Dorabji Tata foundation, as well as the support of NCPA and the University of Amsterdam. Moreover, we made special recordings with separate voice and accompanying instruments, which gives better results.

  4. ronald said

    In raag shivmat bhairav it says that the tone material is : SrRGmPdnN , but it should be : SrgGmPdnN, as the text makes clear.

  5. Meenakshi said

    Can anyone help me with sapat alankar or swara progression for alhaiya bilawal??
    Also
    I want the key phrase for the alap sung by pt. Ustad rashid khan for sumiran kar bhajman ram nam bandish in alhaiya bilawal

  6. Garrett Field said

    Hi, how should one cite this website in an in-text citation?

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